Here’s the third installment in our live in-studio performance series. Can’t wait to get this material out in front of a live audience!
Here’s the second video that Sylva is releasing. Everything was recorded live as we played it in our rehearsal space to convey the fact that this is a real band!
Many of you know that in addition to the awesome music I get to play withTeresa Storch, I’ve been working with a group of a different genre, one that I have often described as “louder and with more notes!” Today I am over the moon excited to finally share this music with you! This is just the beginning and we have a lot more in store to share with you all in the coming weeks. For now, sit back, crank this up and meet my friends Tony Dickinson, Travis Moberg…read more
Here’s a very quick comparison between two guitars that share similar DNA. The new Charvel Guthrie Govan signature model as well as the previous Guthrie Govan signature model from Suhr, namely the Antique Modern. Both guitars feature very similar specs, with basswood bodies and maple tops and “roasted” maple necks and fingerboards. While each features its own manufacturers’ respective pickups, the other notable difference is the bridge. The Suhr featured a Gotoh bridge with bent saddles, going for that vintage vibe whereas the Charvel incorporated a brand new bridge manufactured…read more
Here’s a quick improvisation I did over some simple changes from an old Bret Garsed “Shred This” contest. Always dug this track so it was fun to revisit with my Suhr alder Antique Classic and my trusty Fractal Audio Axe-FX II, running Firmware 12 for the first time.
Here’s an entry I did for the #MayonesDuncan contest in January of 2013. This clip features my basswood Suhr Guthrie Govan antique modern and the Fractal Axe-FX II.
In response to my koa & pau ferro demonstration I received a number of questions about how koa compares to mahogany. Since I think the tones should speak for themselves I decided to put together this comparison. The Gear: Guitars: Suhr Standard (natural finish) Koa Body, pau ferro neck and fingerboard Suhr Standard (tobacco burst) Mahogany body & neck, maple top and Brazilian rosewood fingerboard Both guitars have identical Suhr pickups: DSH – bridge, V60lp Middle, DSV neck Amp(s): CAA OD100 Classic + (all but final high gain clips) David…read more
This is the sort of story that we gearheads just love.Â Being that I was heavily influence by the music of Phish and its guitarist Trey Anastasio in the 90’s, I became a big fan of hollow body guitars used in conjunction with a compressor pedal to achieve loud and clear sustain with a clean, undistorted tone.Â Well in the last few years of Phish’s existence, Trey ditched his long-used compressor and his tone took on a darker, edgier and grungier sound which was far removed from its pristine and…read more
As I’ve been finding myself lately really gravitating to the sound of my VOS 1960 plain top Les Paul Standard, I’ve become curious as to why folks chose Les Paul Standards over Les Paul Customs and vice-versa. Through my own observations, I’d say that most organic classic rock stuff (Allmans, Zeppelin, Skynard, Aerosmith, etc) tends to be played on Standards (with Fogarty & Framptom being the exceptions) while more metal tends to be played on Customs (John Sykes, Zakk Wylde, Adam Jones (Tool), Randy Rhodes, etc). I also realize that…read more
I’ll be playing with Stone Blue on Saturday, December 27th at The Buffalo Rose in Golden, CO. Classic rock covers. Show starts at 9pm. Check out more information at http://www.buffalorose.net/