Here’s a very quick comparison between two guitars that share similar DNA. The new Charvel Guthrie Govan signature model as well as the previous Guthrie Govan signature model from Suhr, namely the Antique Modern. Both guitars feature very similar specs, with basswood bodies and maple tops and “roasted” maple necks and fingerboards. While each features its own manufacturers’ respective pickups, the other notable difference is the bridge. The Suhr featured a Gotoh bridge with bent saddles, going for that vintage vibe whereas the Charvel incorporated a brand new bridge manufactured…read more
Here’s a quick improvisation I did over some simple changes from an old Bret Garsed “Shred This” contest. Always dug this track so it was fun to revisit with my Suhr alder Antique Classic and my trusty Fractal Audio Axe-FX II, running Firmware 12 for the first time.
Here’s an entry I did for the #MayonesDuncan contest in January of 2013. This clip features my basswood Suhr Guthrie Govan antique modern and the Fractal Axe-FX II.
This is a demonstration of the Marshall 6101 combo featuring the built in DI (direct to recording) output. The Gear: GUITAR – Gibson VOS G60 – the Guitar Center version of the 1960 VOS — Burstbucker 2 in the bridge, 1 in the neck. AMP – Marshall 6101 combo I/O – MOTU 896 DAW – Ableton Live 8
This is a demonstration of the Marshall 6101 combo featuring an EL34 power section and the original voicing of the lead channel 3 (not LM). The only modification to this amp was the replacement of the stock speaker with an Eminence Lil Texas – a neodymium based speaker that is voiced for “american blackface amps” but found its way into this amp. While I’m not convinced that other speaker might be better suited to this combo, the tones achieved don’t exactly have me actively looking for a replacement. The Gear:…read more
In response to my koa & pau ferro demonstration I received a number of questions about how koa compares to mahogany. Since I think the tones should speak for themselves I decided to put together this comparison. The Gear: Guitars: Suhr Standard (natural finish) Koa Body, pau ferro neck and fingerboard Suhr Standard (tobacco burst) Mahogany body & neck, maple top and Brazilian rosewood fingerboard Both guitars have identical Suhr pickups: DSH – bridge, V60lp Middle, DSV neck Amp(s): CAA OD100 Classic + (all but final high gain clips) David…read more
After trying to explain in words some of the inherent qualities of a guitar with a koa body and a pau ferro neck and fingerboard (similar to Reb Beach’s favorite instrument), I decided to put this video together demonstrating a guitar featuring these very tonewoods. This example covers clean, low and high gain scenarios to highlight how these woods work in different genres of music. Guitar: Suhr Standard, Solid Koa Body, Pau Ferro neck and fingerboard, Pickups: DSH – bridge , V60lp Middle, DSV neck Amp(s): CAA OD100 Classic +…read more
A while back I wrote this post concerning the differences between alder and swamp ash when used in a strat-style guitar and what tones/genres of music those combinations suited best. I originally wrote that post to satisfy my own curiosity, but also to share with others and participate in discussion. Three years later it is still the most searched topic on this site and continues to bring in a steady stream of traffic. Apparently I’m not the only one curious about these things…. Since I wrote the original post, I…read more
A while back I had the opportunity to attend Bruce Egnater’s amp building seminar at his shop in Berkley, Michigan. During this class we learned about the basics of amp building and were taken through the step-by-step process of assembling our own amp – a Mojo Tone JTM45 kit who’s circuit was tweaked by Bruce Egnater to mirror his own design from his modular series (according to Jeff Hilligan its the “3” in the EG 3/4 module with more gain) . Premier Guitar Magazine was on hand to cover the…read more
In an effort to decode the mystery between high-priced Gibson Les Paul’s and their lower-priced Japanese siblings manufactured by Edwards, we are comparing a Gibson Les Paul VOS 1960 with a Edward Les Paul LP130. We recorded four clips with each guitar, playing essentially the same riffs/changes through the exact same amp & volume settings in order to get a truly fair comparison. To that point, example 1 is a riff (same one that I used to demo the Egnater seminar head last February for Premier Guitar), example 2 is…read more